Green Blue as well as you are well-read, you are you
Green Blue as well as you are well-read, you are you : video art trilogy
Video 1 : The table is moved across a table then moved side to side with an identical set of tables. When sliding, and before each completed act, the time for each object is attributed by hand and voice before the hand retreats with another hand then shifts back and forth then back again then is shifted to a pack or stack of books preparing to read. There is text on the screen and to the right side right of the pack which is static. The camera shifts to and Fro, then cigarettes are lit. An entire pack of Lucky Strike cigarettes are set on fire. The cigarette pack is where the artwork should be, but not necessarily. Text and voice ask: Of what and could and what of possibilities could five fingers demonstrate to use an object in the afternoon? The same queries are proposed and made probably by hand(s) moving to and fro. Identical hands move conceptually from side to side until the video's view is shifted.
Note: Degraded, multi-generations of copies of this video art are screened at 작곡 돌 Gallery each time this video art is screened elsewhere then a new degraded copy of the video is added to their video art collection.
Video 2 : The viewer is asked: What color? In response, there is then an emotional sound that indicates and asks the viewer to think: Do colors? Then, there is a judgement quality of some kind that makes the viewer ask: Can tails? or Heads kissing? Someone is seen kissing a donkey with their tongue. Questions in text appear on the screen that pose rhetorical puzzles. We hear various players. The players interface with a soundtrack that is triple-layered then begin to evolve relationships with different props. There is an indication of possession and fighting and integrity. There is one who argues about love. There are others who perform a tug-of-war. Then the players play with each other to relate, then attempt to regroup into pairs who then split up other players who have regrouped into pairs. Next, a name is given and appears on the screen. A player gives an indication of a question, then asks another player to turn and clap. Both players turn to the viewer and say: Water? I believe in you. Do and say then pick up a video piece then roll credits while we recite more and stand upstream. All players end up seated or standing next to cinder blocks dressed in silver, violet and pink. An octagonal pink table is seen splashing around in a pool where the players are seated or standing.
Video 3 : Someone asks and text appears on screen: What is positivism? Someone behaves or acts logically in relation to the question. Someone directs their behaviours and action on the screen to either having or not having language. Texts and voice speak of Use, Manner and Form. A structure is built by hand. Someone and text asks: What is Lawrence Weiner positivism? A logical definition of the structure is offered via voice and text on the screen. Someone asks: What is character interrogation and what is the sound that begins dialogue that prompts us to converge? Soundtracks of poker chips and different books begin to play. Two players sit, then enter a room where two women are at the center. Poker chips are placed in three stacks and books are placed in corners diagonal to other books that are red and set on a table. A sign on the table reads: Information and Pricing.
^^For Lawrence Weiner, Video Artists, Performance Artists and New Media Artists & Writers (circa 1970s to the present, known and unknown)
